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Get to know the cast of Broadway's Godspell with photos, interviews, exclusive backstage videos, and more! |
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The epic conclusion to the Godspell Creator’s Commentary has arrived. Listen in as Stephen and Daniel discuss the Finale, and share their closing comments on the show.
On May 7, Broadway’s Godspell introduced the talented young performers who are set to perform onstage at Circle in the Square Theatre May 22 as “The Godspell Cast of 2032.” They were selected out of more than 500 auditoners age 6-16 who showed up to an April 24 open call.
Godspell’s creative team chose the five girls and five boys, who will be part of the special encore performance.
“The Godspell Cast of 2032” features Gaten Matarazzo as “Jesus,” Danny Ward as “Judas,” Montana Byrne as Anna Maria, Grace Capeless as Celisse, Zoe Considine as Morgan, Jon Viktor Corpuz as Telly, Alec Gallazzi as George, Rebecca Goldfarb as Lindsay, Analise Scarpaci as Uzo and Evan Smolin as Nick. Holly Block is the Swing.
In a statement, producer Ken Davenport said, “Godspell has always had a tradition of launching the next generation of stars. From the cast members of the original productions like Martin Short, Victor Garber, Andrea Martin, Jeremy Irons and so on, to the cast members of our current production who I have no doubt you’ll be hearing a lot from in the years to come. So we decided, why not get a preview of tomorrow’s Broadway stars?”
Rehearsals for the special encore will take place between April 30 and May 21.
For more information visit www.godspell.com.
To view the entire photo gallery, click here.
After a week of fan voting, nominations have been announced for the 13th Annual Broadway.com Audience Choice Awards, the only major theater prize chosen by Broadway theatergoers…
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We have almost arrived at the end of our series, with Stephen and Daniel discussing the haunting “On The Willows,” and the scenes leading up to the crucifixion.
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This week’s episode of the Creator’s Commentary is huge - “We Beseech Thee” AND “Beautiful City” - tune in and find out what went into the writing and staging of these iconic numbers.

Corbin Bleu returns to Broadway as Jesus in Godspell on April 17 at the Circle in the Square Theatre. Bleu takes over the role from original star Hunter Parrish, who played his final performance on April 15….

Stephen and Danny discuss how they keep Godspell timely with up-to-the-minute references, and talk about the importance of the show’s message in today’s divisive culture.

Calling all future Broadway stars!
Do you love GODSPELL?
Is it your dream to perform on Broadway?
Are you between the ages of 6 and 16 years old?
Producer Ken Davenport announced today that on Tuesday, April 24 at Circle in the Square Theatre (1633 Broadway at 50th Street), aspiring young Broadway hopefuls can audition for “The GODSPELL Cast of 2032!”
“GODSPELL has always had a tradition of launching the next generation of stars,” said Ken Davenport. ”From the cast members of the original productions like Martin Short, Victor Garber, Andrea Martin, Jeremy Irons and so on, to the cast members of our current production who I have no doubt you’ll be hearing a lot from in the years to come. So we decided, why not get a preview of tomorrow’s Broadway stars?”
The April 24 “GODSPELL Cast of 2032″ auditions will take place from 2 p.m. to 6 p.m. All kids should be prepared to sing 16 bars of any song, a cappella.
GODSPELL‘s creative team will choose ten young performers (five girls and five boys) for a special encore performance during the curtain call at the Tuesday, May 22 (8 p.m.) performance at Circle in the Square.
Rehearsals will take place between April 30 and May 21.
Click Here to Download the Press Release.

The Broadway revival of Stephen Schwartz’s rock musical Godspell will launch its first national tour during the 2013-2014 theater season. No casting, cities or official dates for the tour have been announced at this time…

In this week’s episode of the Godspell Creator’s Commentary, Stephen and Daniel listen in on “All Good Gifts” and Light of the World,” and discuss the importance of the Act I closing.